After casually running an advert for a dangerous far-right Japanese cult, Anime News Network has returned to the realm of controversy with their preview guide for Rising of the Shield Hero, an adaptation of Yusagi Aneko’s isekai light novel. The story follows ‘somewhat otaku’ Naofumi as he’s thrust into a video game-like world that’s on the brink of annihilation, unless he and three other heroes become strong enough to fend off the apocalyptic perils that have been prophesied. Naofumi thinks he’s a hot shot, but his reputation soon crumbles to ruin as he finds himself the recipient of a false accusation of sexual assault. Continue reading →
Life is much easier for artists who don’t even think of venturing into obscenity. As popular as pornography is to the masses, so too is the public sentiment of moral outrage. Opinion columns, comment threads and social media echo chambers will never cease to be free of reams of outbursts against the latest film that went too far, or how a certain video game has sexual content that isn’t completely consensual between the characters. What is permissible in fantasy seems too often down to what people will be willing to shout about, rather than the taboos in question being examined with care.
The forces of censorship acting on different forms of media – books, film, television, anime, video games, online spaces – are not disparate: they are connected by common threads of government pressure and moral panic expressed by the public. Those who choose to perform thorough research on the value of prohibiting the sale of ‘obscene’ films, images and video games are more often deemed suspect rather than significant. But while lines of acceptance can be easy to draw for one’s self, drawing them for a community requires an appreciation of everything that’s at stake. Continue reading →
(note: this article is from an anime-only perspective, and is primarily aimed at anime-only viewers)
Medieval fantasies often have trouble with the agency they give to women in their worlds, from societies over-populated with passive princesses to ‘strong female characters’ that have little complexity beyond being, well, strong and female. These stories are always under the shadow of period of history that saw the height of a patriarchal social structure and the treatment of the ‘fairer sex’ as little more than property. Modern writers should feel encouraged to subvert tropes and cliches in order to find new room for characters other than knightly men to flourish. Yet, one show this season has stumbled when it comes to handling a large part of its cast. Continue reading →